

The Men From The Boys
Mart Crowley
What readers are saying
Readers highly appreciate the depth and complexity of characters in this classic play. Many find it engaging, humorous, and poignant, particularly resonating with themes of identity and internal struggles within the LGBTQ+ community. The historical context and relatability of the characters are frequently highlighted, making it a cherished piece of theatre.
Drama
Characters: 9 male Interior Set This seminal work of the Off-Broadway movement premiered in 1968 and was a long-running hit onstage later filmed with the original cast.
In 2010 the play made a triumphant return to New York City in an highly praised production produced by Drama Desk and Obie Award winning Transport Group.
In his upper eastside Manhattan apartment Michael is throwing a birthday party for Harold a self-awoved "32 year-old pock-marked Jew fairy" compl
"A play of real substance, one that deserves to be performed not occasionally but regularly."
— The Wall Street Journal
"One of the few plays that honestly helped spark a social revolution."
— Associated Press
"One of the most effective American plays of the past half-century."
— The Wall Street Journal
"Terrifically thoughtful... The Boys in the Band emerges remarkably universal."
— NY1
"Deliriously delicious."
— Gay City News
| Character |
|---|
| Donald twenty-eight, medium blond, wholesome American good looks. |
| Emory thirty-three, small, frail, very plain. |
| Larry twenty-nine with a starkly simple sense of individual style and color in his clothes. Dark eyes, dark hair, extremely handsome. |
| Hank thirty-two, tall, solid, athletic, attractive. |
| Bernard twenty-eight, African-American, tall, gaunt, nice-looking, dressed in Ive-League clothes. |
| Cowboy twenty-two, light blond, muscle-bound, too pretty. |
| Harold thirty-two, dark, lean, strong limbs, unusual face. |
| Alan thirty, aristocratic Anglo-Saxon features. |
| Michael thirty, average face, smartly groomed. |
Talking About The Boys in the Band
The Boys In The Band is a American play written by Mart Crowley and published by Samuel French in London (2010).
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