

Yes, Mamet
Matt Casarino


What readers are saying
Readers have mixed feelings about the play's execution but find its themes of race and dialogue compelling. While many appreciate the thought-provoking nature of the content, some criticize the depth of character development and commentary. The dialogue is often praised for its sharpness, yet others express concerns about Mamet's approach and the overall structure of the play.
Jeffrey Richards, [et al.] ... present James Spader, David Alan Grier, Kerry Washington and Richard Thomas in Race, written and directed by David Mamet.
"Intellectually salacious […] Gripping […] Rapid-fire Mametian style […] Mamet’s new play argues, everything in America – and this play throws sex, rape, the law, employment and relationships into its 90 minutes of stage wrangling"
— is still about race." - Chicago Tribune
"Scalpel-edged intelligence!"
— The New York Times
"Provocative and profane!"
— NY 1
"Mamet is most concerned with the power and treachery of language: a line of dialogue vital to the prosecution’s case is cynically rewritten by the defense. Mamet’s larger contention is that attempts to create a more equal and tolerant society have made race an unsayable word […] brilliantly contrives here a moment in which the single most taboo sexual expletive is ignored by an audience which then gasps at the word “black” […] Mamet remains American theatre’s most urgent five-letter word."
— The Guardian
Race
Race is a American play written by David Mamet and published by Samuel French in New York, NY (2010).
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Samuel French · 2010 · 80 pp
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