
Madonna in the Orchard
Paul Foster
The action takes place n the mind of Marilyn on an empty stage with a chair.
In this play, Marilyn confronts voices in her head to validate her life as an actress.
She finds in the afterlife that she must audition and interview to get into heaven and that her judges are her enemies and aborted children.
... taken from Samuel French website.
"A nuanced, uncomfortably intimate script with the curb appeal of Starlight Express."
— The Pitch
"[Marilyn/God] adeptly dissects both Marilyn’s privilege as a Hollywood megastar, the searingly felt trials of her lost loves, and her descent into drug abuse."
— Artist Review Kansas City
"A one-act psychological melodrama with dashes of dark comedy that histrionically, but ably, explores the destructive nature of fame."
— Kansas City Star
"This is wonderful material for a director, because you are not trapped by realism. Anything can happen."
— director Branden McCall
| Character |
|---|
| MARILYN MONROE A movie star, 36; dressed in a fluid, cream-colored, silk gown slit to the thigh, sandal heels; looks tattered. |
| VOICE and |
| AGENT Marilyn’s Judges, offstage for the course of the play. |
Marilyn/god is a American comedy play written by Rosary O'neill and published by Samuel French (2010).
Digital editions available on Amazon Kindle .
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Restrictions: Major Markets Only (US) / Standard Restriction (UK)
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