

Vincent
Leonard Nimoy
What readers are saying
Readers appreciate the lyrical quality and thought-provoking themes of the play, highlighting its exploration of art and obsession. Many are intrigued by the complex characters and the interplay between different time periods. However, some find the intricate connections a bit distracting or confusing.
A haunting and hallucinatory drama about the making of art, INVENTING VAN GOGH is the story of the final van Gogh self-portrait, painted just before the artist's death, which has never been seen until now.
Patrick Stone, a contemporary painter, is hired to forge this final masterpiece and finds himself squaring off, across the years, with van Gogh himself.
The result is a compelling mystery about the obsession to create and the fine line that separates truth from myth.
"Like a van Gogh painting, Dietz's story is a gorgeous example of excess—one that remakes reality with broad, well-chosen brush strokes. At evening's end, we're left with the author's resounding opinions on art and artifice, and provoked by his constant query into which is greater: van Gogh's art, or his violent myth.“ —Phoenix New Times. ”Dietz's writing is never simple. It is always brilliant. Shaded, compressed, direct, lucid—he frames his subject with a remarkable understanding of painting as a physical experience."
— Tucson Citizen
Inventing Van Gogh is a American play written by Steven Dietz and published by Dramatists Play Service in New York (2004).
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