

Hank Williams: Lost Highway
Mark Harelik
The perfect follow-up musical to Smoke on the Mountain and Pumpboys .
This foot-stomping country-western romp was an award-winning off-Broadway hit.
From the composer/lyricist of 3hee (Flight of the Lawn Chair Man), Opal and Eliot Ness in Cleveland , Honky-Tonk Highway is a tribute to that legendary (literally) country-western singer and songwriter: the late, great, (albeit fictional), Clint Colby.
The time is 1970.
We are at Tucker’s Roadhouse in Alton Falls, Tennessee, where Clint’s rocket-ride-of-a-career began 12 years ago.
Clint’s former band, The Mountain Rangers, has reunited tonight for a one-time-only concert to perform Clint’s songs and to reminisce and ruminate about the man they helped make famous.
As everyone knows, Clint died a year ago tonight.
But his trademark, baby-blue cowboy hat, is up on stage with the band.
Whichever band member puts on the hat “becomes” Clint, as they flash back to relive the story of Clint’s life, through the autobiographical songs he wrote and made country-western classics.
Clint rose from boyhood poverty in a fly-speck town to the glittering heights of stardom in the far-off big cities.
Along the way, he did some things right, did some things wrong, and left behind a trail of songs.
"There’s something for everyone in this toe tappin’, two-steppin’ show! Y’all come!"
— Theatre Week Magazine
"A delight from start to finish… Not to be missed."
— WHCY Radio, New York
"A seamless succession of 20 delightful songs. It’s the real thing."
— Chicago Sun-Times
| Character |
|---|
| Nat An enigma; a loner/curmudgeon who is also outspoken and zany; 20s-30s |
| Paulie Boyish, fun-loving, and attractive; the hearthrob, 20s to early 30s. |
| Curtis A happy homebody; the oldest member of the band; 30s-40s |
| Darrell A loveable sadsack with a droll sense of humor and a tender heart; funny and fun to be with; 30s |
| Jenine-Kate Pure country sunshine; full of warmth, caring, and compassion; 20s |
Honky-tonk Highway is a American play written by Robert Lindsey Nassif and published by Samuel French in New York (1999).
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