

Eureka!
Michael Hollinger
Awards & Recognition
Winner! 2025 Tony Award for Best Revival of a Play Winner! 2025 Drama League Award for Outstanding Revival of a Play Winner! 2025 Drama Desk Award for Best Revival of a Play
Winner of the 2025 Tony Award for Best Revival of a Play!
The Eureka Day School in Berkeley, California, is a bastion of progressive ideals: representation, acceptance, social justice.
In weekly meetings Eureka Day’s five board members develop and update policy to preserve this culture of inclusivity, reaching decisions only by consensus.
But when a mumps outbreak threatens the Eureka community, facts become subjective and every solution divisive, leaving the school’s leadership to confront the central question of our time: How do you build consensus when no one can agree on truth?
"Spector… extract[s] comic gold from the little tugs-of-war for control among the members of the committee. This comedy of manners yields to a serious probing of interpersonal responsibility and the limits of consideration... Even as it stakes out a moral position on its subject, Eureka Day avoids the kind of lording dismissal that, in too much of our social-media lives, has become epidemic."
— Time Out New York
"Thank God for comedies that are actually funny."
— Broadway News
"So brilliantly yoked to the current American moment – its flighty politics, its deadly folly – that it makes you want to jump out of your skin… The play’s most astonishingly accurate moment comes when the board convenes a livestream… I’m still trying to figure out how hard is appropriate for a critic to laugh at the theatre; this night, I made myself hoarse."
— The New Yorker
"A shiny, insightful and damn funny little gem. One of the best plays of the season."
— Deadline
| Character |
|---|
| DON Early 60s. White. Head of school. A serene presence, but with real gravitas. He’s very good at his job and his equivocating language is an intentional way to make everyone feel comfortable and never appear to be pushing things in any one direction, even while gently guiding them. He has worked hard to become the man he is. From New England, moved to Berkeley in the mid-80s chasing the last gasp of hippie-dom. Started in education as a music teacher, and on difficult days fantasizes about going back to it. Has lived with his partner in the same rented in-law unit for twenty-five years. She makes pottery. They do silent meditation retreats at Esalen three times a year. No kids. |
| SUZANNE Mid-50s. White. Warm and gracious. Moved to Berkeley after college when her then-boyfriend now-husband started graduate school at UC Berkeley. Raising her family and nurturing the school are her life’s work and fully entwined. Once her youngest was in school, she started working part-time as a life coach after being encouraged to it by so many friends who she’d helped through difficult times. Has a home worth four million dollars (though she’ll tell you it was much much much cheaper when they bought it), but thinks of herself as “comfortable” rather than “wealthy.” Mother of Sebastian, Arlo, Izzy, Juniper, Tompkins and Walden. |
| CARINA Early 40s, Black or biracial. A joiner. Her parents were in the Foreign Service. She grew up overseas and had gone to eight different schools by the time she graduated from high school. This made her skilled at landing in a new environment, figuring out the rules, and putting other people at ease. Her wife is from Berkeley and always wanted to come back, so they moved nine months ago from the East Coast. Isn’t sure how much she loves living here, but is working hard to convince herself she does, because her wife never wants to leave. She’s worked for nonprofits her whole professional life, so has spent A LOT of time in board meetings. And dealing with well-intentioned white people. Mother of Victor. |
| MEIKO Mid-30s, Biracial Japanese/White (describes herself as Hapa). Berkeley native. Wry sense of humor. Went to UC Berkeley and has never lived anywhere else, or wanted to. A landscape architect, which she’s good at but a little bored by. A year after the end of a tortured on-again off-again eight-year relationship, she became a single mother by choice, of Olivia. When her daughter was young, Meiko’s mother was effectively a co-parent, but less so now. Would like to have another child, but feels like she’s too old to think about doing it alone, again. |
| ELI Mid-30s, White. Jewish or half-Jewish. Oblivious but well-meaning. From Southern California, went to Stanford and then straight into working at a tech start-up. Cashed out three years ago, and has been in search of how to occupy his time and exercise his mind. An expert pickler, competitive rock climber, manager of family wealth. Went through an intense Ayn Rand phase in college, which now fills him with shame, but which he has also never fully shaken. When he and his wife first decided to open up their marriage, they spent many hours in therapy making sure they were approaching it in a thoughtful and intentional way. But that was a long time ago. Father of Tobias. |
| WINTER 30s to 50s, Person of Color. A parent. This is a walk-on role with no lines. Can be played by an understudy or production assistant. |
Eureka Day – Broadway Highlights
Eureka Day is a comedy play written by Jonathan Spector and published by Dramatists Play Service .
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