

The Indian Boy
Rona Munro
In this moving exploration of parenthood, an American mother and a Tibetan father have a three-year-old son believed to be the reincarnation of a Buddhist lama.
When a Tibetan lama and a monk come to their home unexpectedly, asking to take their child away for a life of spiritual training in India, the parents must make a life-altering choice that will test their strength, their marriage, and their hearts.
The Oldest Boy is a richly emotional journey filled with music, dance, puppetry, ritual, and laughter — Sarah Ruhl at her imaginative best.
A meditation on attachment and unconditional love, the play asks us to believe in a world in which sometimes the youngest children are also the oldest and wisest teachers.
"Ms. Ruhl's drama is among the most easily accesible from this poetic, venturesome playwright... yet it is marked by Ms. Ruhl’s inquisitive intelligence, clean-lined eloquence and spiky humor."
— The New York Times
"Gorgeous fluidity in the writing... Ruhl uses her beguiling storytelling skills, including a porous fourth wall and elements of ceremonial dance, music and singing, to make the mother's struggle a dramatically cogent one."
— Hollywood Reporter
| Character |
|---|
| A Monk Tibetan, age immaterial |
| A Lama Tibetan, age immaterial |
| The Oldest Boy older than the lama, speaks for and moves the puppet, Tibetan |
| Father Tibetan mid-thirties to mid-forties |
| Mother white, mid-thirties to mid-forties |
The Oldest Boy at the Lincoln Center Theatre
The Oldest Boy: A Play in Three Ceremonies is a play written by Sarah Ruhl and published by Samuel French .
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