

August Wilson's King Hedley II
August Wilson


Awards & Recognition
Finalist: 2000 Pulitzer Prize for Drama Nominee: 2001 Tony Award for Best Play August Wilson is the recipient of the 1986 Whiting Award for Drama.
What readers are saying
Readers are highly impressed with August Wilson's writing in King Hedley II, often deeming it a significant work of the Twentieth Century. Many appreciate its cultural relevance and profound themes, highlighting its importance not just in the context of the Black experience but for all audiences. The play's language and depth resonate strongly with students and theatre enthusiasts alike.
“Wilson’s melody here is the mournful sound of what might have been, a blues-tinged tale about a driven, almost demonic man.
He’s a petty thief named King who will stop at nothing for a better life.
.
.
.
King Hedley is a big play, filled with big emotions and big speeches.
These aria-like monologues are rich in humor, heartbreak and the astonishing details that go into creating real people.
With his latest arrival on Broadway, Wilson only has the first and last decades of the twentieth century to chronicle—it’s been quite a journey.
King Hedley will only add to that towering achievement.”—Michael Kuchwara, Associated Press
“What makes Wilson America’s greatest living playwright—aside from his gift for dialogue, which blends searing poetry with uncompromising realism—is the bracing humanism with which he provides insight into the struggles and aspirations of all individuals.”—Elysa Gardner, USA Today
King Hedley II is the eighth work in playwright August Wilson’s 10-play cycle chronicling the history of the African American experience in each decade of the twentieth century.
It’s set in 1985 and tells the story of an ex-con in post-Reagan Pittsburgh trying to rebuild his life.
Many critics have hailed the work as a haunting and challenging tragedy of Shakespearean proportions.
August Wilson is the most influential and successful African American playwright writing today.
He is the two-time Pulitzer Prize-winning author of Fences
, The Piano Lesson
, Ma Rainey’s Black Bottom
, Joe Turner’s Come and Gone
, Seven Guitars
, Two Trains Running and Jitney
.
His plays have been produced all over the world, as well as on Broadway.
"Grand... some of the finest monologues ever written for an American stage, speeches that build gritty, often brutal details into fiery patterns of insight... You may feel the scorch of lightning."
— The New York Times
"Mesmerizing... full of powerful images that convey the darkly comic dialogue between hope and hopelessness in African American life."
— New York Daily News
"Exhilarating... Wilson has endowed his struggling souls with a metaphysical grandeur and a titanic vigor of language that is like no other dramatist’s. He takes the idea of tragedy and the common man to Olympian heights... [and] boldly tackles the big philosophical questions most contemporary playwrights shrink from. He articulates these questions with grounding, often witty detail and in an inner-city vernacular that soars into both unabashed lyricism and earthy anecdote... There is no denying the transporting, natural music of Hedley and phrases from it haunt the memory."
— The New York Times
| Character |
|---|
Ruby King’s mother, former big band singer who recently moved back to Pittsburgh. Sixties. |
Mister King’s best friend since grade school and sometimes business partner. Thirties. |
Elmore Ruby’s longtime, but sporadic flame. A professional hustler. Sixties. |
Tonya King’s wife of a few years. Thirties. |
Stool Pigeon King’s next-door neighbor. The Hill’s spiritual and practical truthsayer. Late sixties. |
King (King Hedley Ii) Has a vicious scar running down the left side of his face. Spent seven years in prison. Strives to live by his own moral code. Thirties. |
King Hedley 2
King Hedley Ii is a American play written by August Wilson and published by Theatre Communications in New York (2005).
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