

Essential Self-Defense
Adam Rapp
Seven college students gather for a DIY self-defense workshop after a sorority sister is raped.
They learn how to “not be a victim,” how to use their bodies as weapons, how to fend off attackers.
The form of self-defense becomes a channel for their rage, trauma, confusion, anxiety and desire – lots of desire.
Challenged to determine what they want and how to ask for it, the students must ultimately face the insidious ways rape culture steals one's body and sense of belonging.
"The stunningly lit scene seemed to play in slow motion, peeling back years of learned social behaviors to evoke the both terrifying and exciting possibilities of tenderness, sex, danger and passion."
— The New York Times
"Deliver[s] harrowing subject matter with a surprising amount of humor and levity... the dialogue takes an honest and irreverent tone, perfectly capturing the mood, voice and habits of hardly mature twentysomethings."
— Chicago Sun Times
"Padilla is so incredibly smart. They’ve written a play that doesn’t simply address the campus rape culture crisis solely within the silo of toxic masculinity, but are also looking at the way the culture thrives because it’s been insulated by white privilege. And not just white male privilege, but the ways white women are also complicit and even might be daring to ask the extent to which people of color can be too. It’s a play that asks us to look at how sometimes our trauma can warp our sense of reality, can have us grasping at a false sense of safety, can have us transform from innocent bystander to witness to silent third-party perpetrator, can put us in that place, in that aftermath where ‘I’m sorry’ doesn’t mean anything."
— Louisville Public Media
"To really deal with the tricky question of how organic desire bumps up against a kind of learned self-objectification means that Padilla has to be willing to voice opposition to the standard progressive line that dominates non-profit theater — and this play does... Very few young playwrights can do this so well."
— Chicago Tribune
| Character |
|---|
| Mojdeh 18, Iranian-American, She/Her/Hers. Just got to college and trying on new selves. Desperate to lose her virginity and get into a sorority. She will do anything to be wanted. Observes others to know what’s cool. |
| Nikki 20, person of color. She/Her/Hers. Wallflower with a vivid inner world. She's quiet and clocks everything. Over the course of the class, she begins to find her strength and her boldness catapults her to danger. |
| Brandi 21, White, She/Her/Hers. VP of the sorority and valedictorian of everything. She got a black belt in Karate to make sure she never feels vulnerable again. She wants to make everyone safe. |
| Kara 21, person of color, She/Her/Hers. Sisterhood chair of the sorority. Susannah’s best friend. Her humor and cool are so effortless and laser sharp that you just might believe her when she says she doesn’t care. |
| Andy 21, White, He/Him/His. Varsity athlete and leader in his fraternity. Earnestly eager to end rape culture and unpack the man box. He tries to use the right words and be sensitive to others, he really tries. |
| Eggo 20, person of color, He/Him/His. Can’t wait to not be 20 anymore. He’s pretty confused by consent culture and terrified of rejection. He joined the frat to have friends, they’re ok – but it’s nice to have a group of people think he’s funny. |
| Susannah 6, person of color, she/her/hers, a young child who makes a wish. |
| Diana 18, Mexican-American, She/Her/Hers. Obsessed with guns. Never afraid to go first. Her tough exterior protects tender insides – she loves confrontation except when she's the one who's made a mistake. |
How to Defend Yourself – NYTW Trailer
How to Defend Yourself is a comedy play written by Liliana Padilla and published by Samuel French .
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