

Sweet Nothing in My Ear
Stephen Sachs
Awards & Recognition
Winner! Three 1980 Tony Awards, including Best Play Winner! 1981 Laurence Olivier Award, Best New Play Winner! Two 1980 Drama Desk Awards, including Outstanding New Play
What readers are saying
Readers appreciate the emotional depth and cultural significance of the play about a deaf woman's experiences and struggles for acceptance. While many prefer the live performance over the written format, they acknowledge its powerful themes and messages. Overall, it's seen as a moving story that resonates with a wide audience despite some critiques of character development.
A passionate love develops between a special education teacher and his beautiful deaf student.
"Children of a Lesser God, in short and in sum, is the season’s unexpected find, a play unlike any other and immensely likable in its self-assertion."
— The New York Times
"A major event... a play of great importance, absorbing and interesting, full of love, understanding and passion."
— The New York Post
"An authentic work of art."
— The New Yorker
| Character |
|---|
| Sarah Norman Mid-twenties. Deaf from birth. |
| Orin Dennis In his twenties. Has some residual hearing; a lip reader. |
| Mrs. Norman Sarah’s mother. |
| Mr. Franklin Anywhere from his early thirties to his mid-forties. The Supervising Teacher at the Deaf School. |
| Lydia In her late teens. Has some residual hearing; a lip reader. |
| Edna Klein Thirty to forty. A lawyer.In any professional production of this play, the roles of Sarah, Orin and Lydia must be performed by Deaf or hearing impaired actors. |
| James Leeds Thirty-ish. A speech teacher at a State School for the Deaf. |
Meet The Stars Of Broadway’s ‘Children Of A Lesser God’ | Megyn Kelly TODAY
Children Of A Lesser God is a American play written by Mark Medoff and published by Dramatists Play Service (1998).
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