

Phantom of the Opera-The Play
John Kenley
Why we like it
"Maury Yeston's 'Phantom' presents a unique take on the classic tale, with hauntingly beautiful songs that rival the original."
From: Andrew Lloyd Webber Musicals30m, 7f, plus ensemble (doubling possible.) / Ints./exts.
This mesmerizing Phantom is traditional musical theatre in the finest sense.
The Tony award winning authors of Nine have transformed Gaston Leroux' The Phantom of the Opera into a sensation that enraptures audiences and critics with beautiful songs and an expertly crafted book.
It is constructed around characters more richly developed than in any other version, including the original novel.
"Everything is first rate."
- N.Y.
Daily News
"Everything is first rate."
— New York Daily News
"Rhapsodic music that entrances, moves and haunts... A welcome link to musical theatre's golden past."
— The New York Times
"Has glory all its own."
— Boston Globe
"Phantom's love story – and the passionately soaring music it prompts... jerk enough tears to fill that Paris Opera Lagoon."
— San Diego Union
"A rich, ripe, rewarding evening."
— Chicago Tribune
| Character |
|---|
| THE PHANTOM The Opera Ghost, also known as Erik |
| CHRISTINE DAEE The Phantom’s protege |
| THE COUNT DE CHANDON (PHILIPPE) in love with Christine |
| GERARD CARRIERE Former manager of the Opera House |
| CHOLET New manager of the Opera House |
| CARLOTTA The new diva; Cholet’s wife |
| JEAN-CLAUDE The stage manager |
| INSPECTOR LEDOUX Chief of the Paris police |
| VARIOUS MEMBERS OF THE OPERA COMPANY, POLICE, AND THE PHANTOM’S ACOLYTES |
Phantom (Yeston/Kopit) at Pittsburgh CLO
Phantom is a American play written by Maury Yeston and published by Samuel French in London (1992).
No community reviews yet
Plays with similar themes, style, and content.
More plays from Maury Yeston that we think you'll enjoy.