The Marriage Of Figaro
by Joan Holden, Pierre Augustin Caron De Beaumarchais, Pierre Augustin de Beaumarchais

"For the sprightly new American Conservatory Theater production…credit must go to translator/adaptor Joan Holden for sending new shafts of light through the play…The characters, especially the women, seem freshly inspired in their resourcefulness…vernacular that might have been coined yesterday…” —San Francisco Chronicle. ”In commissioning a textual face lift for the eighteenth-century farce immortalized by Mozart's opera, American Conservatory Theater has struck gold…a joyous piece of stage frippery whose social bite is never far below the surface.“ —Variety. ”FIGARO gets a new lease on life…Where better to find somebody to bring new life to this play, which is widely regarded as helping to provoke the French Revolution?“ —Marin Independent Journal. ”Takes justifiable liberties in replacing Beaumarchais' eighteenth-century jibes with up-to-the-minute substitutes…the adaptor hasn't so much rewritten Beaumarchais to suit her own taste as returned our attention to the essence of his"

— San Francisco Examiner